Comet loops

I first saw Telectu live back in 1985/6 at Teatro Carlos Alberto; they played “Halley” alongside a performance by our dear departed Brinquinho, who enmeshed himself in silk tunics and incarnated a comet among the audience. I remember the acoustics being vast and majestic, my young ears opening up.

A few years later I saw them again in passing at Pinguim Café; the vibe now was of course very different, this was a bar, not a seated auditorium. People drank and chatted (myself included) as Jorge Lima Barreto grooved away on the keys and Vítor Rua held it together as ever. Somehow it worked, as a hesitant prescience of this future-now-turned-present where music is the backdrop to the self-fixated feature film called “our lives”.

I look forward to Telectu tonight at SEMIBREVE, no doubt a very different experience from the previous two. Sparse crossings that help read a broader map of our brief time in this particular cosmic guise. Or if you’d rather, a recurring intersection, much like the loop of a comet.

Image: detail from António Palolo’s cover for Telectu’s “Halley”, 1985

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